Decide every picture, signed. Then check it against the palette.
Approve, send back or reject any deliverable from the keyboard, each decision signed with who and when. Then hold the picture to the art bible’s palette, mirrored or in values.
Until now only a moodboard reference could be approved or rejected, and nothing said who had decided. A render in a gallery, a single image or a picture pinned on a board had no verdict at all. Every picture now takes a decision with a signature, and the bible’s palette becomes something you can check a picture against.
One decision per picture, signed
The Pictures page gathers every picture of the workspace, a project or one document: moodboard references, gallery renders, single images and pictures on boards. In the viewer, A approves, C asks for changes, R rejects and U puts a picture back to decide, and the next one comes up. A deliverable sent back says what to change. Each decision records who made it and when, and a new version of the picture goes back to decide, so an old verdict never passes for a new image. Filters by decision, tag and words live in the address, so a review is shared as a link.
Signatures belong to the server
Who decided cannot be rewritten. An editor save, an import, a restored version or an agent rewriting the document can change the pictures, never the name on a decision. A decision an agent makes over MCP is signed with the name of the person whose key it uses. Share links show none of it: decisions, their notes and their authors stay with the team.
A palette the team can check
The Palette block names up to 48 colours, each with a role such as background, accent, text, light or shadow, and a note on its use. It grades the text and background pairs you choose for contrast, AAA, AA or not enough, shows the colours as values, and simulates protanopia, deuteranopia and tritanopia, naming the colours that merge. Export it as CSS variables, JSON, a .gpl file for GIMP, Krita and Aseprite, or an .ase file for Photoshop and Illustrator.
A picture held to the palette, mirrored or in values
In the viewer, Palette checks a picture against the bible: how much of it stays within the palette, and which colours stray, lighter or darker, more or less saturated, or shifted in hue. A mask greys out what fits, so the strays stand out. Two painter’s checks sit beside it: M mirrors the picture to see its drawing afresh, and V shows its values alone, in grey, then in 5, 3 and 2 levels.
Try it in your workflow
- Open the Color Script & Mood example document.
- In the Ecliptica core palette, switch to Values, then to Colour vision and pick a type.
- Read the contrast grade of each text and background pair below the swatches.
- In your workspace, open Pictures, choose a picture to decide and press C to send it back with a note.
The palette check compares colours within a tolerance you choose, strict, normal or loose, since light and shadow shift them; it does not judge shapes, style or composition. Asking for changes is for deliverables: a moodboard reference is approved or rejected. While a picture is mirrored, its notes are set aside. The example document shows the palette block; decisions and the palette check need an account.
